Everybody who has had pets knows that they all have unique personalities, fears, and desires, and in some cases, they can experience emotions such as shame, guilt, playfulness, and anxiety. I have been living with a cat for some time now. During this period, I have learned to understand him beyond his normal behavior; I can recognize when he is anxious. In Lacanian psychoanalysis, anxiety arises from the delicate and ever-shifting interplay between three fundamental registers of human psyche: the Imaginary, the Symbolic, and the Real. The inherent tension and potential for disruption within their interconnectedness generate anxiety. Here's a brief breakdown: The Imaginary: This realm encompasses identification, the ego, and the formation of the self through specular images and identifications with others. It is where we develop a sense of bodily unity and coherence, primarily during the mirror stage, when an infant recognizes themselves in the mirror. This sense of self, however,...
Evil, as an action, could be a thought, but that is usually forgotten, a damned intranscendent mental Sin. In general, evil is only evil when it becomes action and comes out of us as a manifestation of our darkness. But, as an action, it is not inherently evil; rather, it is evil only in relation to other actions or, better yet, perceptions of actions—interpretations. Above all, evil is a function of one's relationship with one's manque, the fundamental lack that structures one's desire. Most of the time, what is evil is not determined by an external reaction, but by the accusation of one's inner Other, nor by the moral codifications that attempt to define it. Rather, evil’s true weight emerges in the subjective coordinates of one's own lack, in how one's act situates itself in relation to this void that constitutes one. In Lacanian psychoanalysis, the subject is always structured around the manque-à -être—the lack of being. It is this absence that fuels desire, ...
There is a toy the cat I live with, F., loves. A small, insignificant object by itself—a hair band—but for her, it is everything. She plays with it, run with it, and then—loses it. Again and again, it disappears under the sofa. At first, I thought it was mere accident, an unfortunate consequence of her wild enthusiasm. I would retrieve it (with difficulty, moving the whole big and heavy sofa), place it back in front of her, and she would resume the game. Then I noticed something strange: F. was not merely losing the toy—she was hiding it, pushing it carefully under the sofa and then wait. Not searching for it, not retrieving it herself, but waiting for it to come out, like a mouse. This is the game. Not the toy, not the having of it, but the not having it—the game of waiting. Lacan taught us that desire is not for the object itself, but for the dream of having it, and the wonderful things that it will make us feel. The objet petit a , that little elusive remainder, is not what we want...
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