The God Cut in Two.


— Ezekiel and the Merkavah —

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- Hermeticism -

The God Cut in Two.
On the temptation to split what we do not understand.

In the sixth century before our era, the prophet Ezekiel experienced one of the strangest visions in ancient religious literature: from the north came a tempestuous wind, an immense cloud, and a fire that seemed to fold back upon itself. In its midst appeared four living creatures, each with four faces: human, lion, bull, and eagle. Beside them stood enormous wheels covered with eyes. Above them stretched a crystalline vault; upon it was something like a sapphire throne, and upon the throne, a figure of human appearance wrapped in fire.[1]

Yet Ezekiel never simply says: I saw God. His language seems to stop short again and again. He speaks of something “like” a throne, of a figure “with the appearance” of a human being, and finally of “the appearance of the likeness of the Glory of YHWH.” Each phrase introduces yet another degree of distance between what is seen and God Himself. Ezekiel does not describe God directly, but something resembling the appearance of that through which God becomes perceptible. Language stammers around what it cannot name.

From that vision of the chariot, the merkavah, important currents of Jewish mysticism would emerge centuries later, devoted to contemplation and to ascent through the heavenly palaces toward the realm of the Glory.[2] Yet the vision already contained a problem that would haunt religious thought for centuries. If God is one, invisible, and irreducible to any form, how can the absolutely One manifest itself in differentiated ways without that manifestation becoming something else, a separate entity that appears to share in divine power?

The difficulty is not merely that of preserving monotheism against polytheism. It runs deeper. It is the difficulty of conceiving a unity capable of manifesting itself without dividing itself.

Centuries later, a rabbinic tale would dramatize that danger with extraordinary precision: four sages “entered the pardes,” the garden, a word related to our “paradise.” Ben Azzai looked and died; Ben Zoma looked and lost his reason; Rabbi Akiva entered and emerged in peace. The fourth, Elisha ben Abuyah, emerged transformed in another way. From then on, tradition would call him Aher, “the Other.”[3]

Elisha’s problem was that he had seen something he interpreted as proof that there were “two powers in heaven.” According to the Talmudic account, he saw Metatron seated, writing down the merits of Israel. The detail was troubling because sitting could signify authority: servants stand; the ruler sits. The story’s response is brutal and exact. Metatron is struck with sixty lashes of fire to demonstrate that what Elisha has seen is not a second sovereign.[4]

And Metatron was no ordinary angel. In the mystical traditions he would receive extraordinary titles, such as Prince of the Presence, Archangel, and, in certain texts, he would come to be called, dangerously, the "lesser YHWH." A certain contemporary Kabbalistic reading pushes that proximity to its limit: the power that creates the world, that speaks and delivers the tablets, would not be the Infinite itself, the unnameable and unfathomable Ein Sof, but rather its first operative manifestation; and to that God who acts within the world the name of Metatron might, precisely, correspond.

One need not endorse that identification to grasp what is at stake in it: the temptation to distinguish between a hidden God of whom we can say nothing and an acting God who creates and legislates. The prohibition against fabricating images protects exactly that limit: that which through which God is made perceptible must not be confused with Him. Some traditions would also relate him to Enoch, the biblical figure who "walked with God" and vanished because God took him.[5] Enoch would be identified with Idris in Islamic traditions and, within other hermetic genealogies, Idris and Enoch would be brought close to Hermes Trismegistus.[6]

The names change, yet the same figure returns: the mediator who stands between the absolutely transcendent and the world, so close to divinity that he threatens to acquire a reality of his own.

Three Ways of Safeguarding Unity

To conceive of a God capable of manifesting himself in many forms without ceasing to be one required an immense intellectual labor. We can recognize at least three responses.

The first is to subordinate the intermediary. The story of Metatron does not necessarily deny that Elisha saw something extraordinary; it denies his interpretation of it. Metatron may stand near the throne without possessing the throne, participate in power without being its source, mediate the Presence without becoming another God. Hence the necessity of his punishment. The vision remains; it is the interpretation that must be disciplined.

The second possibility is to develop a language of presence. The Shekhinah, a term related to the Hebrew root conveying the idea of dwelling or abiding, makes it possible to speak of the divine presence among human beings without turning that presence into a second divinity.[7] God can be here without being reduced to what appears here. The manifestation belongs to the One, but does not exhaust Him.

The third possibility is more radical still: to multiply the forms of manifestation without multiplying God.

Kabbalah would develop this possibility through the ten sefirot: Keter, Chokhmah, Binah, Hesed, Gevurah, Tiferet, Netzach, Hod, Yesod, and Malkhut. They are not ten gods, nor mere fragments of a divine substance, but modalities and relations through which the divine manifests itself and enters into relation with the world. Beyond them lies Ein Sof, “the Endless”: that which God truly is, unlimited and forever beyond reach, beyond every determination.[8]

The Tree of Life allows us to visualize this operation. Its branches differentiate, oppose, and relate to one another without ceasing to belong to the same tree. Expansion and restriction, mercy and judgment, masculine and feminine are distributed across a structure whose equilibrium depends precisely on none of its terms existing alone.

The Kabbalah of Isaac Luria would carry this logic still further. In his cosmology, at the beginning of creation divine light pours into a series of “vessels” meant to contain it and give it form. These vessels are not physical objects, but spiritual structures: forms capable of receiving, limiting, and ordering the intensity of the divine so that a differentiated world may appear. Some of them, however, cannot withstand that intensity and shatter. The light is then scattered into fragments, mingled with the remnants of the broken structures. This primordial catastrophe is known as the “shattering of the vessels.”

After that rupture, the sefirot must be reorganized into more complex formations, or “faces,” the partzufim. These are not new divinities, but ways in which the divine attributes become stabilized through relation to one another, precisely because they can no longer exist in isolation. The highest is called Arikh Anpin, “the Long Face,” an expression associated with patience and with the biblical image of a God “slow to anger and abundant in mercy.” The attribute ceases to be an abstract quality and becomes a structure of relation.

The idea is decisive: fracture is not repaired by eliminating one of the terms, but by reorganizing what has been broken so that different forces may once again coexist. Contradiction does not disappear; it finds a form capable of containing it. And here comes the unexpected turn: repair is not left entirely in God’s hands. The human being receives a role within this process, to participate in tikkun, the restoration of a fractured universe through acts capable of gathering and raising the scattered sparks of divine light. And if that fracture also runs through the human being, then repairing the universe means, at the same time, gathering those sparks within ourselves.[9]

Within such a universe, Metatron may continue to perform extraordinary functions, but the mediation between the absolutely transcendent and the world no longer needs to be concentrated entirely in a single figure. The sefirot have introduced an entire architecture of relations and degrees, and within that architecture Metatron is no longer central.

Yet the position once occupied by Metatron, that of the figure seated dangerously close to the throne, would find a different solution in Christianity.

Christianity had spent centuries confronting a comparable problem: how to introduce distinctions within God without destroying divine unity. Trinitarian doctrine had offered a radical answer. God can be one and three without ceasing to be one. Kabbalah would construct another architecture for a comparable paradox: the One can unfold into multiplicity without thereby becoming something other than itself.

Christ can therefore be read as a Christian inversion of Metatron. Not because one figure necessarily derives from the other, but because both emerge from the same metaphysical vertigo: the difficulty of conceiving a mediation so close to God that it threatens to acquire a sovereignty of its own.

Where Judaism makes Metatron rise so that no one may confuse his seat with God’s throne, Christianity leaves Christ seated. Where Metatron must prove that he is not God, Christ may share the throne precisely because Christianity affirms his full divinity.

The same seat can be heresy or dogma, depending on who has the right to occupy it.

Christian iconography allows this structure to enter the realm of images. For centuries, representations of the Crucifixion repeat a recognizable composition: Christ occupies the center; the Virgin appears at his right, which is to the left of the viewer; on the other side stands John the Evangelist, or another male figure bearing witness. Above them are the sun and the moon.

The arrangement inevitably recalls the sefirotic Tree. Two pillars and a center. On one side, restriction; on the other, expansion. Between them, the axis that holds them together. There is Tiferet, the heart of the Tree. And there is Christ in the Crucifixion, not simply as a third term placed between two extremes, but as that which allows the extremes to belong to a single structure.[10]

Once this image is placed within the oriented space of the catholic church, the structure grows richer. The altar faces East, toward the rising sun, just as in the Jewish temple the Torah is oriented toward the sacred direction, and in the Masonic lodge the East belongs to the Worshipful Master. Christ occupies that East. The Virgin then falls to the North, the side traditionally associated with darkness, while the opposite side opens toward the South. Yet when we raise our eyes we find an inversion: above the dark side shines the sun, and above the luminous side, the moon.

If the scene obeyed a perfectly ordered opposition, we would expect light beside light and darkness beside darkness: the sun over the South and the moon over the North. Instead we find the reverse. The sun crowns the North; the moon, the South.

Light dwells on the side of darkness, and darkness accompanies the side of light.

We should not rush to correct this contradiction. We should listen to it.

Perhaps the symbol is saying precisely that opposites never exist in a pure state. Light contains its shadow, and shadow preserves the possibility of light. The masculine touches the feminine, expansion contains restriction, the word is born from silence. Each extreme carries within itself that which seems to negate it.

The center then acquires another meaning. Christ is not there to separate the two sides, nor merely to reconcile them. He is there because both belong to the same totality. The center sustains the contradiction without resolving it.

This is also the vertigo of the Tree of Life. Mercy and judgment can occupy opposing positions because their roots belong to the same unity.

The opposition takes place within God.

The God of Wrath and the God of Mercy

But not everyone was willing to accept that consequence.

Marcion of Sinope read the Scriptures and found two faces that seemed irreconcilable to him: the creator God of the Scriptures of Israel, who judges, punishes, and establishes the Law, and the Father proclaimed by Jesus, whom Marcion associated with mercy, love, and forgiveness. His solution was radical: if the two faces contradict one another, perhaps they do not belong to the same God.[11]

The contradiction disappears as soon as each aspect is given its own author. One is just and severe; the other, absolutely good.

The operation has an unsettling elegance: Marcion preserves coherence by sacrificing unity, cutting God in two.

Kabbalah takes the opposite path. It does not expel severity in order to preserve mercy, nor does it need to turn them into two sovereign powers. Judgment and mercy may oppose one another and still belong to the same reality. Multiplicity does not break unity; it unfolds within it.

If every contradiction requires a separate principle, we end up constructing a universe divided between two powers: one for light and another for darkness, one for good and another for evil.

But monotheism carried to its furthest consequence makes a far more uncomfortable claim: nothing can truly remain outside God.

This is why Isaiah’s declaration is so disturbing: God forms the light and creates darkness, makes peace and creates ra, a word that can mean evil, calamity, or misfortune.[12] We need not conclude that God is morally responsible for every human perversity. The decisive point is something else:

darkness does not require a second creator.

Nor does the adversary need to become a second god. In the Book of Job, “the satan” still belongs to the heavenly court. He accuses, questions, and tests, but he does not rule an independent metaphysical kingdom opposed to YHWH.[13] The more we need to imagine God as pure light, the stronger the temptation becomes to construct another figure who can carry all the darkness.

René Guénon recognized a similar structure when he interpreted Metatron through a luminous and a dark polarity, associated respectively with Michael and Samael, without granting the latter an independent sovereignty.[14] Whatever the historical genealogy of those correspondences, what matters here is the operation itself: resisting the impulse to turn two contradictory aspects into two separate substances.

And there the Crucifixion returns.

The sun over the North, the moon over the South.
Light on the dark side, and darkness on the luminous side.

What first appeared as a contradiction begins to reveal a structure. Each pole carries something of its opposite because neither possesses absolute sovereignty.

A manuscript leaf created in Avignon around 1411 depicts the Crucifixion of Christ flanked by the Virgin Mary and Saint John.

When We Too Cut God in Two

The operation does not belong exclusively to the history of religions.

When someone we love wounds us, two sets of facts appear before us that seem impossible to reconcile: the person who loved me and the person who betrayed me; the one who spoke beautiful words to me and the one who destroyed me.

Then we feel the temptation to do what Marcion did.

We cut.

“The person I loved never existed.”

“It was all a lie.”

“They were always a monster.”

The operation restores coherence to the world. If the person who loved me and the person who hurt me cannot be the same person, then one of the two must be false.

But there is also the opposite operation. We say: “deep down, they are a good person,” “they did not mean to hurt me,” “everyone makes mistakes.” This time we do not cut unity apart; we sacrifice difference in order to preserve it. We erase whatever contradicts the image we need to keep intact.

In one case, everything good disappears so that the bad object may be perfectly bad. In the other, everything bad is relativized so that the good object may remain perfectly good.

We cut too much, or we join too much.

And we do the same to ourselves.

We construct a “true self” from everything with which we want to identify: I am generous, I am loyal, I am reasonable, I am good. Opposite it we place what we reject: the resentful one, the coward, the cruel one, the one who desired what should not have been desired, the one who wanted revenge.

And we say:

“That is not me.”

But perhaps a more difficult ethics begins precisely with the opposite statement:

That, too, is me.

It does not mean that all actions are morally equivalent. Ontological unity does not abolish ethical difference. I can acknowledge that someone loved me and betrayed me without concluding that loving and betraying are the same. I can acknowledge my own cruelty without justifying it. Precisely because it too belongs to me, I can answer for it.

Perhaps that is why the temptation to cut God in two feels so familiar. We do the same with those we love and with ourselves. When two truths seem incompatible, we prefer to fabricate two beings: the one who loved and the one who betrayed, the generous one and the cruel one, the God of light and the God of darkness.

But to integrate is not to confuse. To love is not to betray, mercy is not cruelty, light is not darkness. The difference remains. What disappears is the need to turn each difference into an independent substance.

Marcion saved purity by cutting God in two. The Kabbalah attempted a harder solution: to hold all the faces without severing that which gathers them.

And the name of that which gathers them matters less than it seems. Call it God, call it the real, call it simply nature of the world: that which we deal with does not come ordered into two halves, one for the light and one for the shadow. That division is not in things. We put it there. We need it in order not to have to hold, within a single object, the one who loved us and the one who wounded us; in order not to recognize, within ourselves, that with which we do not wish to identify. We cut the world in two because we cannot bear that it is one.

None of this makes misfortune good. There is no promise here that every wound conceals a meaning or every pain a reward. It is something more sober: what hurts does not fall outside the world, does not come from another realm, does not require a second principle to explain it. It belongs, even though we did not choose it. And perhaps to mature is, in part, to stop demanding that the world split in two so that we need not hold its contradiction.

Perhaps unity does not consist in eliminating that which contradicts it, but in being able to contain it without breaking apart.

And perhaps we cease to cut God in two —whether or not it exists— precisely when we stop inventing a second god to bear that which we cannot bear to find in the first. Or in ourselves.

References

[1] Ezekiel 1:4–28.

[2] Gershom Scholem, Major Trends in Jewish Mysticism. See especially his studies of Merkavah mysticism and its relationship to later developments in Jewish mysticism.

[3] Babylonian Talmud, Hagigah 14b, the account of the four who entered the pardes.

[4] Babylonian Talmud, Hagigah 15a, the episode of Elisha ben Abuyah, Metatron, and the “two powers in heaven.” For the historical and theological context of the problem, see also Alan F. Segal, Two Powers in Heaven: Early Rabbinic Reports about Christianity and Gnosticism.

[5] Genesis 5:21–24. For the development of Enoch and Metatron in Hekhalotliterature, see 3 Enoch and Gershom Scholem’s studies of Metatron.

[6] On the traditional identifications among Enoch, Idris, and Hermes, see Kevin van Bladel, The Arabic Hermes: From Pagan Sage to Prophet of Science.

[7] On the Shekhinah and its development within rabbinic and Kabbalistic thought, see Gershom Scholem, On the Mystical Shape of the Godhead: Basic Concepts in the Kabbalah.

[8] Gershom Scholem, Kabbalah; Moshe Idel, Kabbalah: New Perspectives.

[9] On Isaac Luria’s system, tzimtzum, the shattering of the vessels, the partzufim , and tikkun, see Gershom Scholem, Major Trends in Jewish Mysticism, and Lawrence Fine, Physician of the Soul, Healer of the Cosmos: Isaac Luria and His Kabbalistic Fellowship.

[10] On Tiferet, the sefirotic polarities, and the symbolic structure of the Tree, see Scholem, Kabbalah, and Idel, Kabbalah: New Perspectives. The correspondence with the composition of the Crucifixion is proposed here as a comparative reading, not as a claim of direct historical dependence.

[11] On Marcion and the opposition between the creator God and the God revealed by Christ, see Adolf von Harnack, Marcion: The Gospel of the Alien God, and the surviving patristic sources on his thought, especially Tertullian, Adversus Marcionem.

[12] Isaiah 45:7. The Hebrew word ra can, depending on context, mean evil, calamity, misfortune, or disaster.

[13] Job 1–2. In these chapters, ha satan, “the adversary” or “the accuser,” appears within the heavenly court and remains subordinate to divine authority.

[14] René Guénon, Le Roi du Monde (The King of the World), in his discussion of Metatron, Michael, and Samael. The reference is used here to support the symbolic structure of polarity, not as proof of a historical genealogy among the different traditions.

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